![]() In finishing, dies used for embossing or foil stamping may be intaglio dies, or have a depressed image area. It is also used to refer to the pattern of cells engraved on a flexographic press's anilox roller. Or you can just paint the paper behind the printed picture with watercolors. This is the usual way of doing many colors. ![]() You can also create several plates and print them all to the same paper. The term intaglio is also used to refer to the engraved image or design itself. This isn't used so much traditionally though, because it's not so easy to reproduce. Until the development of gravure printing in the 19th century, intaglio remained almost entirely an artist's medium, perhaps best demonstrated in the engravings of the German Renaissance artist Albrecht Dürer. Playing cards, religious prints, and other illustrations were produced using intaglio techniques, including newly-developed means of engraving images on metal plates. It was revived again in the 15th century and was the primary means of reproducing illustration matter, even after Gutenberg's letterpress-based printing press was invented. In the West, the practice survived through the Roman era, and declined after the fall of Rome. ![]() Intaglio was used in China to print books, the text being cut into wood blocks, inked, and transferred to paper. ![]() The word intaglio is an Italian term (and is more properly pronounced "in-TAL-yo" although the pronunciation "in-TAG-lee-oh" has become prevalent and accepted) meaning "engraved." The earliest uses of intaglio date back perhaps to the ancient Sumerians in the fourth millennium B.C.E. Although derived from older engraving methods, modern versions of intaglio printing include gravure and copperplate printing. There are two techniques to cut the lines of an intaglio print, engraving and etching. Term for any printing or imaging process in which image areas are etched into a surface, filled with ink, and transferred to a substrate. ![]()
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